Thursday, September 29, 2011

Apparently, a lot of A-List Stars Are Playing Secret Games of Poker

You will find many perks to as being a superstar, and one of these is getting a chance to put money into anything. Because it works out, its not all A-lister is purchasing lime-eco-friendly Lamborghinis and vats of caviar. A number of them really gamble it away secretly high-stakes poker games! This week's story within the Hollywood Reporter examines the field of subterranean poker competitions in L.A., which feature a number of Tinseltown's greatest energy gamers: Leonardo DiCaprio, Film Clip and Matt Damon have been spotted at games locked in multi-billion dollar houses in Los Angeles. However, what began out as harmless fun eventually converted into potentially costly legal cases. As THR states, "In March, players' names began showing up in the court filings alleging that unknowingly for them, they'd been pocketing stolen money." While DiCaprio, Affleck and Damon came out untouched, actor Tobey Maguire, who's recognized to experiment the superstar poker circuits, might have to return $311,200 he won from the former hedge fund manager that has since been billed with managing a $44 million Ponzi plan (the Maguire news broke in June). The manager, Bradley Ruderman, constantly lost his profit these games, and since he was wealthy, individuals involved ongoing to allow him play. (We assume their way of thinking was: "Hey, this person sucks! Let us keep taking his money.") The relaxation of this article goes in to the suit, a brief history behind these games and also the Hollywood elite who keep going them. The entire factor is a nice fascinating read and you will take a look over on THR. Image thanks to WireImage

Wednesday, September 28, 2011

Wes Craven is 'The Last to Know' If You will see considered a 'Scream 5'

Wes Craven will in all probability return for just about any fifth 'Scream.' Supposing the script is great. Craven told Movieweb the fifth and sixth film will be in the entire shebang, but he never signs onto direct until he sees the finished product. Producer Bob Weinstein is gung-ho about ongoing the series, even though 'Scream 4,' which showed up in this area in April, disappointed laminator tl901-office. Still, despite having less written word together with a waning fascination with the series, Craven has ideas about where the story is certainly going next. It is something associated with the ambiguous ending of 'Scream 4.' Asked for by Movieweb in what happens for the which makes it through figures, Craven joked, "I'd have to kill you essentially stated.Inch He mentioned he loved the fact 'Scream 4' didn't finish getting a "hook" for an additional film. "We felt it absolutely was simpler to permit the crowd speculate instead of have a number of these clues put in their lap." Craven states the options meant for a fifth film because Weinstein wants it to happen. "Whether I'll be a part of it or else? I am unsure. My contract generates for me the initial look. Once they show me something that's really wonderful? Clearly I'll be a part of it." Odds are good, since Craven hasn't switched them -- or a smaller amount promising projects -- lower yet. He referred to how a 'Scream' machine works: Typically what is going to happen is always that Bob Weinstein or Kevin Williamson will build up a completely new idea, and they're going to pitch it either to. Once they both appreciate it, they'll toss it around and discover if they'd like to develop it into an overarching concept. I Rapidly have the phone call. It is said, 'We have something tell you.B ... Beginning ('Scream 4'), the initial meeting I'd with Kevin Williamson, he did sketch out a 'Scream 5' and 6. The idea was that individuals i did so the initial in the new trilogy. We required to wait to determine as we made enough money on each film to produce the following viable. When happens, people two will build up the concepts plus an idea that's worth fulfilling. 'Scream 4' involves DVD and Blu-ray on March. 4. [via Movieweb] photo because of Dimension Films

Justin Timberlake to Receive Environmental Award

Justin Timberlake will be honored with the Environmental Media Association's Futures Award, given annually to the next generation of environmental leaders in the entertainment world.our editor recommendsProducers Guild of America to Be Honored at Environmental Media AwardsThe Philanthropists: Industry's Protectors of the Environment, Arts and Education The actor-singer was singled out for developing an eco-friendly golf course outside of Memphis, using his celebrity to promote environmental issues, and his attempts to create a carbon neutral footprint while on tour. PHOTOS: Hollywood Reporter's Philanthropy Issue: The Photographs EMA President Debbie Levin said that Timberlake and fellow honoree the Producers Guild of America "demonstrate taking a green lifestyle to the next level." Past Futures Award honorees include Edward Norton, Rosario Dawson and Maroon 5. The feature films The Other Guys, Rio and Yogi Bear; documentaries Carbon Nation, African Cats, Revenge of the Electric Car and Saving Pelican 895; TV dramas Body of Proof, CSI and The Good Wife; and comedies Futurama, Hot in Cleveland and Nurse Jackie will be showcased at the event as projects that have carried a positive, environmentally friendly message in the past season. COVER STORY: The Philanthropists: Industry's Protectors of the Environment, Arts and Education The 21st EMA Awards take place Oct. 15 in Los Angeles. Related Topics Edward Norton Justin Timberlake Rosario Dawson Philanthropy Maroon 5

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SHAKEDOWN: Will Moviegoers End Up Paying For 3D Glasses If Studios Wont?

UPDATE: Sony Responds To NATOs Claim That Studios 3D Glasses Plan Is Myopic The battle lines are starting to harden around who’ll pay for those lame-looking 3D glasses. I’ve learned that other studios might line up behind Sony’s decision to stop paying the average 50-cents a pair fee beginning in May. Rival studios tell me Fox is on board. “We’re studying our options, but haven’t made any decisions yet,” denied Fox Filmed Entertainment spokesman Chris Petrikin. Remember, Foxwas first in line to try tostop paying for glasses back in 2009 when it released Ice Age. But then had to abandon that effort after theaters rebelled.Sony was technically correct today when it said in a statement that “there never has been” a formal agreement stipulating that studios would shoulder the cost of 3D glasses. But it’s easy to understand why exhibitors are stunned by Sony’s stoppage. Because it changes an understanding that’s been in place since 2005 when Disney’s Chicken Little kicked off the 3D movie phenom. “It is a radical departure from what the practice has been,” National Association of Theater Owners President John Fithian tells me. Now Regal CEO Amy Miles warns that if studiosend the practice then it could “result in fewer screens exhibiting 3D films”. That’s bad news for Hollywood, whichplans to release 39 films in 3D next year, vs. 36 in 2011. Exhibitors might encourage consumers to bring their own 3D glasses. That may be the future anyway.But BTIG analyst Rich Greenfield says if theaters require payment for 3D specs on top of the typical 3D surcharge($3.25 to $4 a ticket), then “the U.S. moviegoer will reject this as another way for exhibitorsto milk them and further decrease their interest in 3D (and perhaps going to themovies in general)”. The fight is over glasses manufactured for RealD which it, in turn, supplies them to theaters. RealD’sstock price was down -14.7% today on the Sony news.The 3D tech company won’t disclose how much it pays for the specs, but it’s said to charge anywhere from 40 cents a pair to $1 depending on the size of the order. Some exhibitors grumble about dealing with a monopoly, but RealD spokesman Rick Heineman tells me that the system”allows us to do quality control.” He adds that the company is open to other business models. For example, moviegoers in Europe and Australia frequently buy glasses for about $1 at the concession stand. RealD also wouldn’t mind if people keep and reusetheir glasses. Or shell out as much as $150 for a classy-looking pair from manufacturers including Polaroid, Gunnar Optics, Marchon, and Oakley. (What, no Pradayet?) Manufacturers say that the costly specs provide a better 3D experience, though Heineman says RealDcertifies that even the cheap modelsmeet its minimum specifications. Theater owners maintain that studios already have a good deal. Hollywood collects about 52% of the box office revenue in the U.S. vs. 40% or less in Europe and Australia.Sony is holding out an olive branch of sorts byasking exhibitors to “engage in a collegial dialogue with us about this issue, including at ShowEast next month.” But Fithian says the studio”should have started by talking to their partners”.

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Thursday, September 22, 2011

Large stars, bigger sea food

Harry Connick Junior. and Morgan Freeman control whales. Producer Broderick Manley with boy Micah and David Yates. Westwood's Broxton Avenue near to the Village Theater increased being an underwater playland for your Sept. 17 preem of Warners' "Dolphin Tale." Winter, the pic's star dolphin, was absent, but with the appear from this, Winter would your look into Hollywood.Best four several days of her existence were filming," mentioned David Yates, pic's co-producer and Boss of Florida's Clearwater Marine Aquarium, where Winter lives. "She loves the eye. I call her my little dolphin diva!" Yesterday in Florida, the junket at Hyatt Regency Clearwater Beach Hotel presented an individuals stars, who discussed undertaking by getting an marine mammal. I have not worried about being upstaged," Harry Connick Junior. mentioned. "I really get it done each night with my band." The pleasure in doing anything will get paid out," Morgan Freeman mentioned. Contact the number newsroom at news@variety.com

Tuesday, September 20, 2011

The Patron Saints

A Pigeon Projects production. (Worldwide sales: Pigeon, Brooklyn.) Created, directed, edited by John M. Cassidy, Melanie Shatzky.With: James, Florence, Ro-Ro, Robert, Julius.An finish from the road the majority of us hope will not look quite as bleak is described in "The Patron Saints," the feature debut of documentarians John M. Cassidy and Melanie Shatzky. Portrait of the crowded residential care facility for that seniors and firm does not flinch in the most depressing aspects of senility, abandonment and despair. Poetical instead of narrative or information-focused structure will not tempt mainstream educational tv stations. But individuals available to more abstract nonfiction may bite, additionally to fest and cinematheque developers. Narrator is James, a mobility-impaired product of promote houses and jail stints who's arrived at pic's un named U.S. elderly care somewhat sooner than most, age-smart. He isn't probably the most supportive observer -- because he appears to locate other residents' myriad worries funny -- but he's a colorful one that provides virtually the only real notes of humor here. (Particularly when remembering a lengthy-ago drunken house party's aftermath: "I awaken the following day, there is two broads [in mattress] beside me, and chicken wings everywhere.") Otherwise, individuals living listed here are mainly in pitiful spirits and physical states, though their health conditions go unspecified. There is the windowed Hungarian emigre who simply, frequently noisally, really wants to die a resident whose mantra-like repeated plea "Gimme a bit a coffee pleeeease" abruptly switches to "I really hope she chokes onto itInch when her roommate really will get some the blind more youthful one still visited (although with police escort) with a brother who molested her for a long time. Distilling the confusion felt by many is really a lady who keeps asking nobody particularly "Where's my mother? Why am I here? Somebody please let me know.Inch Another who clearly is not going home soon, or likely ever, is petitioned to do this with a hulking middle-aged boy not capable of taking care of themself -- we briefly glimpse him inside a vehicle stacked neck-high with unhealthy foods wrappers. James notes the attractive hillsides all around the facility (situated inside a rather desolate area near an airport terminal) were produced from landfill, a present-wrapped metaphor when there is one. Though in the beginning atmosphere appears almost Dickensian, helmers also make obvious that largely Hispanic and African-American staff listed here are doing the very best they are able to on likely low pay and financial assets. It isn't a location it's possible to work without considerable assets of persistence and generosity (though whenever we see James connect to some nurses, the correct answer is obvious they view him like a trouble-maker). Low-res lensing contributes to downbeat air, and can doubtless be simpler around the eyes around the small screen. Classical and avant-garde (Arvo Part, John Cage) arrangements provide somber soundtrack accompaniment whenever we hear cheerier music music (a resident's tone-hard of hearing rendition of "America the gorgeous,Inch dance music from the couple going to vocalists), it feels as though ironic counterpoint.Camera (color, HD), Cassidy, Shatzky music administrators, Brooke Wentz, Joshua Mehr seem, Nicholas Sjostrom. Examined at Toronto Film Festival (Canada First!), Sept. 16, 2011. Running time: 72 MIN. Contact the range newsroom at news@variety.com

Sunday, September 18, 2011

'Where Do We Go' gets Toronto aud award

'Where Do We Go Now?' The weary-eyed, film-loving auds of the 2011 Toronto International Film Festival have voted Nadine Labaki's "Where Do We Go Now?" as the winner of the fest's People's Choice award-in recent years seen as a guarantee of awards-season glory. The top aud award, which was handed out at the fest's Sunday afternoon awards brunch, comes with a CAN$15,000 (US$15,342) cash prize. "Where Do We Go Now?", about women from different religions who band together to protect their small community from violence, is co-written Labaki ("Caramel"), who also costars, and was recently announced as Lebanon's official entry for foreign-language Oscar contention. Asghar Faradi's "A Separation" and Ken Scott's "Starbuck" were voted, respectively, first and second runners-up by Toronto auds.Midnight Madness opener "The Raid," Gareth Evans' Indonesian martial arts actioner, won top kudos from the popular late-night program's auds, who chose Adam Wingard's "You're Next" and Bobcat Goldthwait's "God Bless America" as their first and second runners-up. Jon Shenk's feature docu "The Island President," about Maldives president Mohamed Nasheed's battle for democracy, nabbed the People's Choice docu award. Bess Kargman's "First Position" was named first runner-up, with Cameron Crowe's "Pearl Jam Twenty" taking second runner-up position. Toronto fest favorite Philippe Falardeau ("Congorama") nabbed the jury-chosen Best Canadian Feature Film prize for "Monsieur Lazhar," about a middle-aged Algerian immigrant seeking political refuge in Quebec. The prize comes with a cash prize of $30,684.Nathan Morlando's "Edwin Boyd," starring Scott Speedman as a notorious real-life bank robber and dreamer, nabbed the jury-chosen best Canadian first feature film prize and a cash prize of $15,342. The Canadian first feature jury gave a special citation to Anne Emond's "Nuit #1." Toronto nuclear physics grad Ian Harnarine won the best Canadian short film and $10,228 cash for his 18-minute helming debut "Doubles with Slight Pepper," exec produced by Spike Lee. Honorable mentions were given to Canuck shorts "Of Events" and "No Words Came Down."The six-member FIPRESCI international critics' jury awarded its prize for the best pic in the fest's Special Presentations program to Gianni Amelio's "The First Man," based on an unfinished Algeria-set Albert Camus novel. Swedish helmer Axel Petersen's dark comedy "Avalon" won the FIPRESCI jury's award for best Discovery program title.On Friday, the Toronto film festival's sales and industry office reported a 20% growth in delegate attendance, with close to 4,000 registered buyers, sales agents, producers and filmmakers. Contact the Variety newsroom at news@variety.com

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Friday, September 16, 2011

'Bridesmaids:' See a Deleted Scene From Kristen Wiig's Toast (Video)

Kristin Wiig's Annie and Rose Byrne's Helen continue their hilarious feud in an extended clip from their engagement party toast. Watch below. The deleted scene will appear on the DVD, which will be released by Universal Studios Home Entertainment on Sept. 20.our editor recommends'Bridesmaids' Effect: Why Female Comedies Are Making Comeback'Bridesmaids''Bridesmaids' Co-Writer Joins Cast of Judd Apatow's Next Film (Exclusive) PHOTOS: Summer Movie Guide In the film, Wiig and Byrne's characters compete to prove who is a better friend to bride Maya Rudolph, causing the wedding preparations to unravel. Their dynamic is revealed the first time when they try to one up each other at Rudolph's engagement fete. PHOTOS: 'The Hangover' Stars: Before They Were Famous In addition to extended and deleted scenes, the DVD will include behind-the-scenes footage and feature commentary from director Paul Feig, co-writers Annie Mumulo and Wiig, and the cast. PHOTOS: 'Horrible Bosses' Premiere Red Carpet The movie's success helped push R-rated comedies past the $1 billion mark this summer. It has earned more than $168 million domestically since it was released this past May. PHOTOS: Hollywood's 10 Highest-Paid Actresses Related Topics Kristen Wiig Bridesmaids

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Tuesday, September 13, 2011

Producers of Emmy-Nominated Shows Honored At Party

LOS ANGELES (AP) Most television producers don't have famous faces or household names, but without them, TV shows wouldn't exist.That's why it's the producers who typically accept the Emmy Award for outstanding drama or comedy series, and why the producers of this year's Emmy-nominated shows were honored Monday by the Academy of Television Arts & Sciences."They basically do everything," said "Mad Men" star Jon Hamm, who was on hand to honor show creator Matthew Weiner and his team of producers at the academy's annual Producers Peer Group soiree. "They make sure the studio and the network are happy; they make sure all the department heads are happy; they make sure that everyone gets paid and they make sure that everybody shows up on time... Literally, without them, nothing would get done."Weiner, who has won six Emmys for writing and producing "Mad Men," said producers shepherd the show along and are responsible for "wrangling all the creative people.""If you like the product, they're as responsible as anyone else," he said.As "30 Rock" star Keith Powell put it: "The producers' job is being all things to all people at all times." Powell presented a certificate to David Miner, a double nominee this year for producing comedy series nominees "30 Rock" and "Parks and Recreation."Besides "Mad Men" (winner of the best drama Emmy for the past three years), other drama series nominees recognized at the event at the SLS Hotel were "Boardwalk Empire," ''Dexter," ''Friday Night Lights," ''Game of Thrones" and "The Good Wife."In the comedy category, besides "30 Rock" and "Parks and Recreation," other nominees honored Monday were "Big Bang Theory," ''Modern Family," ''The Office" and "Glee."TV academy chairman John Shaffner thanked the crowd for being "the creative people who keep the rest of us employed" and "Glee" producer Dante Di Loreto "for sharing Jane Lynch to host the event.""She's going to be absolutely wonderful!" Shaffner said.Lynch, a first-time Emmy host, plays mean-spirited Sue Sylvester on "Glee" and is nominated for an Emmy this year for supporting actress in a comedy series the category she won last year.The Primetime Emmy Awards will be presented Sunday at the Nokia Theatre and broadcast live on CBS.Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Thursday, September 8, 2011

Photobooth: A Look at the Toronto International Film Festival Gala Presentations

Hurray! Today begins the 2011 Toronto International Film Festival. We’ve already predicted the five films most likely to ignite a bidding war up north, but what about the titles that will really get the red carpet TIFF treatment this week? Ahead, Movieline briefs you on the nineteen films that will be spotlighted with special premiere events as well as addresses from the directors and cast. Just click here to launch the slideshow, then let us know which films you’re most excited to see below.

Wednesday, September 7, 2011

Fest circuit in Canadian west

Whistler Intl. Film FestivalWhen: Nov. 30-Dec. 4Location: WhistlerVancouver Intl. Film FestivalWhen: Sept. 29-Oct. 14Location: VancouverBanff World Media FestivalWhen: June 10-13Location: Banff, AlbertaEdmonton Intl. Film FestivalWhen: Sept 23-Oct. 1Location: Edmonton, AlbertaVancouver Fringe FestivalWhen: Sept. 8-18; Pick of the Fringe, Sept. 22-25Location: Granville Island, VancouverVictoria Film FestivalWhen: Feb. 3-12Location: Victoria, B.C.MusicFestWhen: AugustLocation: VancouverVancouver Folk Music FestWhen: July 13-15Location: Jericho Beach Park, VancouverVancouver Intl. Jazz Festival When: June and JulyLocation: VancouverDOXA Documentary Film FestivalWhen: May 4-13Location: Vancouver Contact Variety Staff at news@variety.com

Tuesday, September 6, 2011

Gene Simmons and Longtime Girlfriend Shannon Tweed Set Date For The Wedding

Gene Simmons and Shannon Tweed After 28 many two children, Hug frontman Gene Simmons and girlfriend Shannon Tweed are getting married. Simmons, 62, and Tweed, 54, will got married on March. one in Beverly Hillsides, based on their wedding invitation. Entertainment Tonight first reported this news. The invitation was produced through the couple's kids, Nick and Sophie. Gene Simmons' Family Jewels will get real The gown code for that ceremony? "Classy Cocktail Attire Asked for, although we all know some Rockstar attire is going to be worn." Simmons suggested to Tweed within the season finale of the reality show Gene Simmons' Family Jewels. The brand new season premieres Tuesday, March. 4 on the&E.

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